le Scren Test Bob 1965 d'Andy Warhol

http://vimeo.com/10410439#

c'est suite à cette vidéo que je me suis plongé dans l'oeuvre du zim. Il y a TOUT dans ces quelques secondes et j'ai tout de suite compris qu'il fallait que je découvre ce personnage. J'aime revoir ces splendides images d'andy warhol, Merci delia !

Son meilleur moment.
24 piges, tout un cycle révolutionnaire déjà bouclé, et en train de le dépasser encore.
Mais grosses cernes quand même, hein.

JeffreyLeePierre a écrit:

Son meilleur moment.
24 piges, tout un cycle révolutionnaire déjà bouclé, et en train de le dépasser encore.
Mais grosses cernes quand même, hein.

On ne fait pas d'omelette sans se casser les yeux.

Spoiler:

JeffreyLeePierre a écrit:

Son meilleur moment.
24 piges, tout un cycle révolutionnaire déjà bouclé, et en train de le dépasser encore.
Mais grosses cernes quand même, hein.

oui, mais malgré tout ça il a une bouille de gamin, c'est renversant

Un petit côté Caliméro, je trouve.

Extrait d'un article de Patrick J.Webster publié par Michael Gray et John Bauldie dans "All Across The Telegraph"

In the Factory: Dylan and Warohl's World


" Warhol actually made two films concerning Dylan...The second film featured Dylan as himself, and was recalled by Robert Heide, writing in the Village Voice in July 1982.

  "Dylan turned up at the silver factory that week for a filmed portrait by Andy - a 15-minute study in stilness, silence and emptiness.Dylan decided his payment would be a giant Warohl silk-screen canvas of Elvis in cowboy attire firing a revolver. Andy was livid when he saw Dylan talking his "payment", though he opted for cool silence. Mr Tambourine Man did not sit for nothing."


Warhol, however, gives a rather different account both of the film and of the Elvis picture involved.

   "Brian Jones was a good friend of Nico's and he and Dylan came to the Factory together one afternoon when the Velvet were rehearsing and I was working...Then Allen Ginsberg and Peter Orlowsky dropped by. We did screen tests of Brian and Dylan...I liked Dylan, the way he's created a brilliant new style. He didn't spend his career doing homage to the past; he had to do things his own way, and that was just what I respected. I even gave him one of my silver Elvis paintings in the days when he was first around. later on, though, I got paranoid when I heard a rumour that he had used the Elvis as a dart board up in the country.I did eventually find out what Dylan did with that silver Elvis painting. More than ten years later, at a time when similar paintings of mine were estimated at five or six figures, I ran into Dylan at a party in London. He was really nice to me, he was a much friendlier person all round. He admitted that he'd given the painting away to his manager Al Grossman, but then he shook his head regretfully and said "But he you ever give me another one, Andy, I wouldn't make the same mistake again." I thought the story was finished then but it wasn't. Shortly afrerwards, I happened to be talking to Robbie Robertson, the guitarist in The Band, and he started to smile when I told him what Dylan had told me. "Yeah" Robin laughed, "only he didn't exactly give Grossman the painting, he traded it - for a sofa". "

 

Mais Dylan est devenu fou ma parole !!!

y a t-il des images de ce second film???

Moi j'avais entendu dire qu'il s'était aussi amuser à trainer la peinture derrière sa voiture en partant. Est-ce vrai, allez savoir...

En fait Warhol n'a fait qu'un film sur Dylan-en-personne, le screen test, le second film qu'il a mis en scène est " about Dylan", réalisé en 1966, "The Bob Dylan Story", Paul Caruso interprétant Dylan et Marlowe Dupont en Al Grossman.