The Bootleg Series volume 10 - Another Self Portrait

Putain, ils envoient du lourd les enfoirés !

Citation :

Bob Dylan Bootleg Series Volume 10 comes from the 1969 1971 recording sessions that ultimately produced the Self Portrait and New Morning albums. All 35 tracks are previously unreleased, alternate takes, demos or live versions of that material. The versions of the songs on this package are radically different from the officially released versions. The cover is new artwork by Bob Dylan. The liner notes have been written by Greil Marcus, who wrote the original Self Portrait review for Rolling Stone that infamously asked, "What is this sh**?." Also included is an extensive essay from well known journalist, Michael Simmons. The set also has extensive photographs of that era from John Cohen and Al Clayton many of them rare and unseen - as well as pictures of the original tape boxes and cue sheets.

The Standard Version contains 35 tracks on 2 CD's, and soft cover perfect bound booklet
The Deluxe Version contains 4 CD's and two hardcover books housed in a hardcover slip case
Book # 1 contains 4 CD's and liner notes
Book # 2 contains the photos from John Cohen and Al Clayton.
The 2 bonus CD's will contain the newly remastered version of Self Portrait and the complete 17 song recording of Dylan & The Band performing live at the Isle Of Wight in 1969
The vinyl version contains 35 tracks on 3 LPs (and 2 CDs) plus a 12" x 12" booklet that includes the liner notes written by Greil Marcus, the essay from Michael Simmons, and the photographs from John Cohen and Al Clayton, and pictures of the original tape boxes and cue sheets.

Donc une version deux CD's mais un coffret deluxe avec deux CD's bonus : "Self Portrait" remasterisé (très bien) et le concert de l'île de Wight (inespéré !).

Bon, je vais regarder le trailer dix fois maintenant  

(Comme on avait déjà commencé à causer de ce volume 10 des BS, je me suis permis de fusionner les sujets)

Là où Columbia est génial, c'est qu'ils ont fait écrire les notes de pochette par Greil Marcus.

Putain, mais le concert de l'île de Wight avec un son parfait  

La pochette...

Et ça sort quand ? Au mois d’août ?

Sardequin a écrit:

Et ça sort quand ? Au mois d’août ?

Le 27 août apparemment.

Bon, le trailer.
D'abord, il est magnifique.
Les deux premiers extraits mettent à genoux.

Premières réactions à chaud.

C'est quoi ce show TV de 68 que l'on peut lire sur une étiquette au début du trailer ?

La version "démo" de "Went To See The Gyspy" a l'air juste superbe et est différente de la version alternative au piano que je connaissais déjà.

Le deuxième extrait, "Sara (Pretty Saro)" a l'air juste génial. On dirait un peu du "McCartney" période "fermier".

La version alternative d'"If Not For You" que l'on peut entendre est celle que l'on connaît déjà.

La version alternative de "When I Paint My Masterpiece" a l'air différente de celle que je connais.

Premier bilan : il risque d'y avoir du TRES lourd parmi les 35 chansons inédites de la compilation (putain, trente-cinq ) et on aura des choses inconnues des bootlegers. Ça a l'air de sonner globalement très roots et méchamment bien.

En gros, fête du slip à tous les étages.
On est rarement déçu par Columbia.

Baptiste a écrit:

Sardequin a écrit:

Et ça sort quand ? Au mois d’août ?

Le 27 août apparemment.

Bon, le trailer.
D'abord, il est magnifique.
Les deux premiers extraits mettent à genoux.

Premières réactions à chaud.

C'est quoi ce show TV de 68 que l'on peut lire sur une étiquette au début du trailer ?

La version "démo" de "Went To See The Gyspy" a l'air juste superbe et est différente de la version alternative au piano que je connaissais déjà.

Le deuxième extrait, "Sara (Pretty Saro)" a l'air juste génial. On dirait un peu du "McCartney" période "fermier".

La version alternative d'"If Not For You" que l'on peut entendre est celle que l'on connaît déjà.

La version alternative de "When I Paint My Masterpiece" a l'air différente de celle que je connais.

Premier bilan : il risque d'y avoir du TRES lourd parmi les 35 chansons inédites de la compilation (putain, trente-cinq ) et on aura des choses inconnues des bootlegers. Ça a l'air de sonner globalement très roots et méchamment bien.

En gros, fête du slip à tous les étages.
On est rarement déçu par Columbia.

Par le prix oui... 125$ annoncés pour la deluxe 4 cd et 104$ pour la version vinyl ... 

104 $

Bon, ben, faudra attendre une erreur de tarif de la fnac !

the tightrope walker a écrit:

Par le prix oui... 125$ annoncés pour la deluxe 4 cd et 104$ pour la version vinyl ... 

Ouais, ça va être cher. Très très cher.
C'est devenu la norme, pas seulement pour Dylan.
Mais là, franchement rien à foutre.
Ça a l'air tellement parfait. On va avoir des trucs jamais sortis en pirate. Putain, mais 35 inédits de la période "Self Portrait"/"New Morning".
L’œuvre de Bob Dylan est un puits sans fond.
On a tellement de la chance d'avoir ces Archives exhumées, mises en valeur, que j'ai pas envie de lire toutes les cinq minutes que c'est trop cher.
Et ils nous balancent avec le concert complet de l'île de Wight.
Nan sérieusement, du bel ouvrage.

Alors on va partir du principe que ceux qui veulent/peuvent se l'offrent à la sortie, les patients attendent et trouveront tout ça à moitié prix dans quelques mois et ceux qui sont outrés par le prix et en font une question de principe trouveront bien le moyen d'écouter tout ça quand même.
Personne n'a un fusil sur la tempe qui oblige à sortir 200 euros pour avoir la totale vinyle/CD/bonus.
Donc tout va bien.

Moi, je pourrais ripper les bonus "hors-de-prix" en lossless et les filer à tous ceux qui me le demanderont. Comme ça, on causera pas du prix mais de la musique.

Tu as raison, mais il faut avouer que c’est une somme ! On verra bien de toute manière !

La classe.
Bon, vous allez hurler, mais le concert de Wight - espérons-le bien propre - m'excite plus que tout le reste.

Et la pochette est tout de même plus élégante que celle de Self Portrait.
C'est de lui ?

Bavons tous ensemble !

   

Mr. Oyster a écrit:

Et la pochette est tout de même plus élégante que celle de Self Portrait.
C'est de lui ?

Pour l'instant, on sait pas.
Peut-être que le communiqué officiel de Sony nous en dira plus.

quelle bonne nouvelle !! voilà un bootleg très très intéressant.

35 chansons !!!! mouuuuaaahhhhhh. Le trailer me donne envie d'être à fin août ! la version de Went to see the Gipsy et Master Piece m'enchante déjà. Que dire de l'île de Wight... c'est un cadeau de Noel ! vraiment.

Je pense que ce boots va me faire réecouter Selportrait plus souvent (pas besoins pour New Morning que j'apprécie énormément), il y a du bon dans ce CD malgré les commentaires de Greil Marcus à l'époque (sympa le clin d'oeil dans les pochettes avec ses commentaires)

La porchette est chouette, ca ne peut etre que de lui

Perso, je n’achèterais pas le coffret, je ne suis pas "collectionneur" alors, je préfère garder mes sous pour les concerts... par contre j'espère grandement que nos amis acheteurs feront partagés les "bonus"   

Sinon pour en revenir au trailer, toute ces photos me donnent envie de faire une retraite à la campagne, à l'orée d'un bois, avec un chien et une guitare comme seule compagnie, et le bruit de l'eau qui coule vers l'horizon... qu'est ce qu'il devait être bien à Woodstock en 1969 et qu'est ce que ca ce ressent cet esprit roots et country dans la période 1969/1973 !!! unique....

Dilemme : je n'ai toujours pas pris mes places pour cet automne (souffrir, c'est si bon), et je suis diablement tenté par la version deluxe de cet opus (non mais Wight audible, quoi !!!).

J'attends de voir s'ils rajoutent un sticker ou un pin's parlant en cadeau avant de vendre mon rein droit sur Le Bon Coin.

(Au passage, un Wight de bonne facture, je trouve que ça fleure bon l'Olympia 66 pour le volume 11. Si si, je vous assure.)

L'annonce est tombée sur le site officiel.

Citation :

Columbia Records will release Bob Dylan's The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) on August 27*, bringing fresh perspective to one of the artist's most controversial periods and revealing it to be one of his most wonderfully creative and prolific. Containing 35 rarities and previously unreleased recordings, Another Self Portrait (1969-1971) is the latest edition of Dylan's acclaimed Bootleg Series and is available in both a standard two-disc set and in a four-disc deluxe box set.


The unreleased recordings, demos and alternate takes on Another Self Portrait -- drawn mainly from the 1970 studio recording sessions that resulted in the official 1970 albums Self Portrait and New Morning albums -- shed new light on an essential and pivotal period in the artist's ongoing musical evolution.

A trailer previewing Bob Dylan's Another Self Portrait may be viewed on YouTube (https://youtu.be/GFdgwMhWcV4).

The original Self Portrait, released in June 1970, was Dylan's tenth studio album and his first to receive real pans from the music press ("What is this shit?" was literally the opening sentence of Greil Marcus's review in Rolling Stone while Robert Christgau gave the album a "C PLUS" rating in the Village Voice). Nevertheless, Self Portrait hit Number 4 on the US Billboard 200 and Number 1 on the UK album charts.

In the Self Portrait sessions, Dylan played a selection of songs accompanied by a small ensemble of musicians, primarily David Bromberg (guitar) and Al Kooper (keyboards, guitar), with producer Bob Johnston later adding overdubs to the basic tracks in Nashville. Another Self Portrait presents these original session masters for the first time without overdubs.

Another Self Portrait reveals fresh aspects of Dylan's vocal genius as he reimagines traditional and contemporary folk music as well as songs of his own. Across these unvarnished performances, Dylan is the country singer from Nashville Skyline ("Country Pie" and "I Threw It All Away"), an interpreter of traditional folk ("Little Sadie," "Pretty Saro") who's right at home singing the songs of his contemporaries (Tom Paxton's "Annie's Gonna Sing Her Song" and Eric Andersen's "Thirsty Boots") before returning to writing and singing his own new music ("Went To See The Gypsy," "Sign On The Window").

While the original Self Portrait was a deliberate act of iconoclasm that shattered Dylan's image as "generational spokesperson" while stretching the boundaries of pop music and his own, the album's successor, New Morning, marked Dylan's return to songwriting. Another Self Portrait gives fans a chance to reappraise the pivotal recordings that marked Dylan's artistic transformation as the 1960s ended and the 1970s began.

Featured on Another Self Portrait are a previously unavailable version of "Only A Hobo" and the demo version of "When I Paint My Masterpiece," a track that finds Dylan, who'd been signed as a recording artist not quite a decade earlier, looking to the future, promising that "Someday, everything's gonna be smooth like a rhapsody, when I paint my masterpiece."

Bob Dylan has created a new painting as the cover art for The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971).

The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) will be available in a standard two-disc configuration as well as in a four-disc deluxe boxed set which will include, for the first time ever, the complete historic performance by Bob Dylan and The Band from the Isle of Wight Festival on August 31, 1969. Housed in a slipcase, the deluxe edition will include the newly remastered version of the 1970 Self Portrait album, in its entirety with original sequencing, in addition to two hardcover books featuring revisionist liner notes penned by Greil Marcus (author of the notorious "What is this shit?" 1970 Self Portrait review in Rolling Stone).

A vinyl version of The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) will include the album's 35 tracks on three LPs plus a 12" x 12" booklet.

Hardcore fans got an early taste of The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) when a limited edition 7" single of "Wigwam" (demo) c/w "Thirsty Boots" (a previously unreleased recording) was released for Record Store Day, Saturday, April 20, 2013.

Citation :

The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971)
CD 1

1 Went To See The Gypsy (demo)
2 In Search Of Little Sadie (without overdubs, Self Portrait)
3 Pretty Saro (unreleased, Self Portrait)
4 Alberta #3 (alternate version, Self Portrait)
5 Spanish Is The Loving Tongue (unreleased, Self Portrait)
6 Annie's Going To Sing Her Song (unreleased, Self Portrait)
7 Time Passes Slowly #1 (alternate version, New Morning)
8 Only A Hobo (unreleased, Greatest Hits II)
9 Minstrel Boy (unreleased, The Basement Tapes)
10 I Threw It All Away (alternate version, Nashville Skyline)
11 Railroad Bill (unreleased, Self Portrait)
12 Thirsty Boots (unreleased, Self Portrait)
13 This Evening So Soon (unreleased, Self Portrait)
14 These Hands (unreleased, Self Portrait)
15 Little Sadie (without overdubs, Self Portrait)
16 House Carpenter (unreleased, Self Portrait)
17 All The Tired Horses (without overdubs, Self Portrait)

The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971)
CD 2

1 If Not For You (alternate version, New Morning)
2 Wallflower (alternate version, 1971)
3 Wigwam (original version without overdubs, Self Portrait)
4 Days Of '49 (original version without overdubs, Self Portrait)
5 Working On A Guru (unreleased, New Morning)
6 Country Pie (alternate version, Nashville Skyline)
7 I'll Be Your Baby Tonight (Live With The Band, Isle Of Wight 1969)
8 Highway 61 Revisited (Live With The Band, Isle Of Wight 1969)
9 Copper Kettle (without overdubs, Self Portrait)
10 Bring Me A Little Water (unreleased, New Morning)
11 Sign On The Window (with orchestral overdubs, New Morning)
12 Tattle O'Day (unreleased, Self Portrait)
13 If Dogs Run Free (alternate version, New Morning)
14 New Morning (with horn section overdubs, New Morning)
15 Went To See The Gypsy (alternate version, New Morning)
16 Belle Isle (without overdubs, Self Portrait)
17 Time Passes Slowly #2 (alternate version, New Morning)
18 When I Paint My Masterpiece (demo)

Bob Dylan & The Band
Isle of Wight - August 31, 1969

1 She Belongs To Me
2 I Threw It All Away
3 Maggie's Farm
4 Wild Mountain Thyme
5 It Ain't Me, Babe
6 To Ramona/ Mr. Tambourine Man
7 I Dreamed I Saw St. Augustine
8 Lay Lady Lay
9 Highway 61 Revisited
10 One Too Many Mornings
11 I Pity The Poor Immigrant
12 Like A Rolling Stone
13 I'll Be Your Baby Tonight
14 Quinn The Eskimo (The Mighty Quinn)
15 Minstrel Boy
16 Rainy Day Women #12 & 35

Pré-commandes ouvertes sur le site officiel.
89 euros pour l'édition deluxe : http://www.myplaydirect.com/bobdylan

Mr. Oyster a écrit:

Et la pochette est tout de même plus élégante que celle de Self Portrait.
C'est de lui ?

Et donc on peut répondre à cette question : c'est bien une nouvelle peinture de Bobby.

Article intéressant de Rolling Stones.
On apprend à la fin que des box consacrés aux sessions des Basement Tapes, de Blonde On Blonde et de Blood On The Tracks sont en préparation.

Citation :

Critic Greil Marcus spoke for countless Bob Dylan fans when he began his Rolling Stone review of 1970's Self Portrait with a now-famous question: "What is this shit?" The two-LP set was a bizarre mishmash of pop covers (Simon and Garfunkel's "The Boxer"), pre-rock hits ("Blue Moon") and poorly recorded live cuts from Dylan's 1969 set at the Isle of Wight festival. Nearly every tune was overloaded with weird backup choirs, strings and horns. "I knew that opening was provocative," Marcus says today of his RS review. "But that's what everybody in the country was saying, and I had to reflect that."

Decades later, Self Portrait remains one of Dylan's least-loved releases. So it came as a surprise when he announced the latest volume in his ongoing Bootleg Series: a four-disc set called Another Self Portrait, drawing on never-before-heard material from Dylan's original acoustic recording sessions and outtakes from Self Portrait along with select cuts from 1968's Nashville Skyline and 1970's New Morning. A deluxe edition will feature a complete recording of Dylan and the Band's 1969 set at the Isle of Wight Festival as well as a remastered version of the original Self Portrait. Both editions hit shelves on August 27th.

The Self Portrait sessions began in New York at Columbia's Studio A in April 1969, but after just a few days of messing around with covers like "Folsom Prison Blues" and "Blue Moon," he abandoned the project for nearly a year. When they resumed in March 1970, Dylan had very little original material, and he again returned to covers, this time recording with a small band that included David Bromberg on guitar and bass and Al Kooper on organ.

"It was bizarre," Kooper tells Rolling Stone. "He wasn't writing any of the songs, which is an important part of a Bob Dylan album. He had a pile of Sing Out! magazines and he was taking the songs, as in the chords and lyrics, straight out of them. They were his main feed, then they pulled other things like 'Mr. Bojanges' and 'The Boxer.' I was like, 'Yikes!' At one point we recorded 'Come a Little Bit Closer' by Jay and the Americans. Hopefully nobody ever hears that."

They worked for about three days, cutting everything from Tom Paxton's "Annie's Going to Sing Her Song" to Gordon Lightfoot's "Early Morning Rain." Producer Bob Johnston then took the tapes to Nashville and Los Angeles, where he loaded them up with back-up singers, horns and additional bass and guitar. In very few cases did the overdubs improve the songs. "The unadulterated Self Portrait songs were very stark and arresting," says Marcus, who contributed liner notes to this new box set. "It's really the kind of music that didn't surface until Dylan's acoustic albums Good As I Been to You and World Gone Wrong over 20 years later."

Marcus wasn't the only critic to rip into the finished version of Self Portrait, and in later years, Dylan himself essentially said that he tanked the album on purpose. He was trying to raise his new family in New York, and the hippies were literally staking out his house, trying to coerce him into once again leading the protest movement.

"I said, 'Well, x it. I wish these people would just forget about me. I wanna do something they can't possibly like, they can't relate to," he told Rolling Stone in 1984. "They'll see it, and they'll listen, and they'll say, 'Well, let's go on to the next person. He ain't sayin' it no more. He ain't givin' us what we want,' you know? They'll go on to somebody else.'"

It didn't go as planned. "The whole idea backfired," he said. "Because the album went out there, and the people said, 'This ain't what we want,' and they got more resentful. And then I did this portrait for the cover. I mean, there was no title for that album. I knew somebody who had some paints and a square canvas, and I did the cover up in about five minutes. And I said, 'Well, I'm gonna call this album Self Portrait. . . To me, it was a joke. It wouldn't have held up as a single album — then it really would've been bad, you know. I mean, if you're gonna put a lot of crap on it, you might as well load it up!"

Whether or not he truly intended to make a bad album at the time, many fans shared Marcus' take that the album was "shit." "In those days, when a new record came out by a major performer, they played the whole thing on the radio," says Marcus. "As I wrote in my original review, a DJ came on maybe a quarter of the way through and said, 'Gee, maybe I shouldn't keep playing this. I've been getting a lot of calls saying, in essence, 'What is this shit?'"

Self Portrait quickly moved to the cut-out bin, and has been largely ignored by the massive Dylan cult ever since. Bob Dylan biographer Clinton Heylin labeled it "an album of outtakes and live oddities from one of the least interesting periods of Dylan's career" in his definitive biography Bob Dylan: Behind the Shades Revisited.

Another Self Portrait began a year ago, when people in Dylan's office found a previously unknown two-track mix reel of Self Portrait-era material. "We were going through all the tapes at Sony," says a source close to the Dylan camp. "We figured that as record companies shrink, some things might get lost. We were trying to exhume everything. This tape was located under a number that would indicate it was a master, but it wasn't. It was a mix of these songs in their raw, undiluted form. When we heard it, we were like, 'This is something we should really think about putting out. We should reexamine that period.'"

The set is fleshed out with outtakes from 1969's Nashville Skyline and 1970's New Morning. "What's clear on the set is that Bob is one of the best singers in the world, hands down," says the source. "His interpretations of those folk songs are great. 'Pretty Saro' will break your heart. They are recontextualized oddly, but the raw material there is phenomenal. . . We included the Nashville Skyline songs because we thought this was a journey of Bob Dylan discovering his voice, so we included a couple of those because we happened to like them as well."

A deluxe edition of the set will contain a complete recording of Dylan and the Band's complete 1969 set at the Isle of Wight. It was his first real concert since a motorcycle crash prematurely ended his 1966 world tour. "The concert has been bootlegged many, many times," says the source. "There were four songs from it on the original Self Portrait, but we always hated the way they sounded. They were mixed a long time ago and they put Bob's voice way high in the mix and the band is somewhere in the back. They were treating him like he was Tony Bennett or something. This new version has the vocals down and more of the audience sound. It sounds great."

Two of the songs, "Time Passes Slowly" and "Working on a Guru," come from Dylan's one-day session in New York with George Harrison in May 1970. "Most of the songs from that day suck," says the source. "The story we heard from the engineer is that they were just messing around as they waited for Elvis, and Elvis never showed up. They were just treading water. But these two songs are very nice."

The legendary George Harrison session also marked the first day of recording for New Morning, an album of original material that hit shelves just four months after Self Portrait. There are eight songs from the New Morning sessions on Another Self Portrait. "He was trying to clean up what happened with Self Portrait," says Al Kooper. "The sessions were very hurried. Bob Johnston disappeared halfway through, and I took over as producer. They're finally releasing a version of 'Went to See the Gypsy' that I cut in a way very similar to 'Subterranean Homesick Blues.' Bob didn't like it at the time."

Another Self Portrait wraps with a previously unheard piano demo of "When I Paint My Masterpiece" that Dylan cut in 1971. "Not only is it a nice capper," says the Dylan source, "but he cut that song 10 years into his career. At this point, he's tried country. He's tried old songs. He's tried new songs. He's still searching. He's just a guy searching for different sounds. He's 10 years in and he's thinking about painting his masterpiece. There's a little lyric change on the bridge of this version. Instead of 'Sailing around the world in a dirty gondola/ Oh to be back in the world of Coca Cola" he sings, 'Sailing around the world in a dirty gondola/ Sure to love that old rock and rolla/ Sure wish I hadn't sold my old Victrola.' We though that would be a cool thing to end with."

Since launching the Bootleg Series in 1991, Dylan has released eight sets, but has withheld much of the material that fans are most eager to hear. "We're trying to put this stuff out in an intelligent way," says the source. "Sets for Blood on the Tracks and Blonde on Blonde will eventually come out. When fans hear the Blonde on Blonde set, they'll realize that the real hero of the sessions was pianist Paul Griffin. . . There will also be a Basement Tapes box one day. We're trying to get the best sources on all the Basement Tapes. That'll happen one day, absolutely."

Speaking of the Basement Tapes, the new box reveals that "Minstrel Boy," a Self Portrait original, was actually written during those famed 1967 sessions. "This was never even rumored," says Marcus. "That's a tantalizing thing. We have no idea what's out there. If we all live long enough, maybe we'll find out."

Maintenant j'imagine un bâtiment spécial chez Columbia entièrement consacré à Dylan, et où des lutins fouillent 24h/24 de gigantesques montagnes de bandes afin de fabriquer les Bootlegs Series. Et que ça fait maintenant quelques années qu'ils nous préparent les joyaux de la collection, c'est à dire Basement Tapes/Blonde on Blonde/Blood on the Tracks.

(Oyster, je vends toujours un billet pour le grand rex en lousedé et à prix cassé si ça t'intéresse)

Baptiste a écrit:

On apprend à la fin que des box consacrés aux sessions des Basement Tapes, de Blonde On Blonde et de Blood On The Tracks sont en préparation.

Je reviens, il faut que j'aille changer de caleçon.

Desmos a écrit:

(Oyster, je vends toujours un billet pour le grand rex en lousedé et à prix cassé si ça t'intéresse)

C'est fort aimable de ta part. En d'autres temps, je te l'aurais acheté d'emblée, mais je ne peux hélas pas pour deux raisons :
- Soit je le prends pour moi, et madame Oyster me largue sur le champ ;
- Soit je l'offre à Madame, et je pars me pendre.

Bref, en gros, je préfère en acheter deux en fosse à l'étranger, et avoir ainsi l'opportunité d'entendre Dylan dans un autre pays.

Voilà voilà  

C'est tout de même énorme ce qui nous arrive là !!!

j'ai regardé les chansons proposées dans ce boots, c'est magnifique, j'ai trop hâte ! et en plus il y a un Alberta #3 !!! j'adore cette chanson et c'est grâce à elle que j'ai pu digérer self portait à la première écoute...

Le live à Wight a l'air sublime, avec une version de I Dreamed I Saw St Augustine et I Pitty the poor Immigrant que j'ai hâte d'entendre

Après la pochette est de Bob c'est un fait, mais réalisé à quelle date? ce serait intéressant de le savoir

Si le vol 11 est consacré à B.B, B.T, et B.O.T, (ca fait beaucoup de B) je suis prêt à faire des trucs pas très catholiques avec les lutins de Columbia....

gengis_khan a écrit:

et en plus il y a un Alberta #3 !!!

Il n'y a que sur ce forum qu'on lit ce genre de phrase.


Quelle journée, en tous cas. Il nous manque plus qu'une bonne vidéo de la reprise de Seeger avec Dylan qui harangue la foule.

gengis_khan a écrit:

Si le vol 11 est consacré à B.B, B.T, et B.O.T, (ca fait beaucoup de B) je suis prêt à faire des trucs pas très catholiques avec les lutins de Columbia....

Les crucifier?

Il a l'air très bien ce bootleg (vraiment) mais à columbia, ils ont l'air d'oublier que Bob est vivant, qu'il a continué d'enregistrer des albums après 1975 et qu'il est toujours sur scène.

Franchement, sortir les outtakes de Masked et Anonymous par exemple, ça leur t****** le c**? Parce que si c'est pour nous faire les new york session de BOTT à 150 euros, merci mais on peut trouver mieux dans l'oeuvre récente de Dylan











Il y en a plus d'une vingtaine comme ça, dont Dirt Road Blues, jusqu'à présent jamais jouée sur scène, et certainement d'autres pépites (même la track-liste est inconnue). Maintenant, si Columbia préfère sortir les concerts à Brixton ou autre, ça me va aussi, je ne suis pas un extrémiste!

C'est sûr que si je devais définir des priorités, j'aurais pas choisi la période Self Portrait tout de suite.
Mais bon, tout finira pas sortir.

Bizarre, les prix ont baissé sur le site officiel.
72 euros la deluxe, 54 euros le triple LP : http://www.myplaydirect.com/bobdylan

Je suppose que pour eux, Old Bob ça a été largement parcouru avec Tell Tall Signs. Les petites douceurs live des fans, comme Brixton ou les chansons de Masked and Anonymous, resteront ignorées je pense. Sinon, pour la pochette, si je comprends la formulation, Bob l'aurait apparemment spécifiquement peinte pour le bootleg, mais je trouve ça improbable qu'il s'implique activement et d'une telle façon dans la création des bootleg. Donc pour le coup je doute de ma traduction.

gengis_khan a écrit:

Sinon pour en revenir au trailer, toute ces photos me donnent envie de faire une retraite à la campagne, à l'orée d'un bois, avec un chien et une guitare comme seule compagnie, et le bruit de l'eau qui coule vers l'horizon... qu'est ce qu'il devait être bien à Woodstock en 1969 et qu'est ce que ca ce ressent cet esprit roots et country dans la période 1969/1973 !!! unique....

Je sens que le bouquin va tous nous envoyer en stage dans une ferme à la campagne.

Desmos a écrit:

Je suppose que pour eux, Old Bob ça a été largement parcouru avec Tell Tall Signs. Les petites douceurs live des fans, comme Brixton ou les chansons de Masked and Anonymous, resteront ignorées je pense. Sinon, pour la pochette, si je comprends la formulation, Bob l'aurait apparemment spécifiquement peinte pour le bootleg, mais je trouve ça improbable qu'il s'implique activement et d'une telle façon dans la création des bootleg. Donc pour le coup je doute de ma traduction.

Bob Dylan has created a new painting as the cover art for The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971).

C'est relativement clair : "il a créé de nouveaux gribouillages pour la pochette de The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971)."

used_spoon a écrit:

Desmos a écrit:

Je suppose que pour eux, Old Bob ça a été largement parcouru avec Tell Tall Signs. Les petites douceurs live des fans, comme Brixton ou les chansons de Masked and Anonymous, resteront ignorées je pense. Sinon, pour la pochette, si je comprends la formulation, Bob l'aurait apparemment spécifiquement peinte pour le bootleg, mais je trouve ça improbable qu'il s'implique activement et d'une telle façon dans la création des bootleg. Donc pour le coup je doute de ma traduction.

Bob Dylan has created a new painting as the cover art for The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971).

C'est relativement clair : "il a créé de nouveaux gribouillages pour la pochette de The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971)."

Donc j'ai encore de beaux restes en anglais. Et Bob s'implique pour les Booltegs Series, c'est cool.