Tom Waits (mp3s-videos-bootlegs)

Artiste : TOM WAITS
album : Mule Variations
Titre : Hold On (ballade)
Écoute en ligne:
http://anti.com/download.php?id=50
Téléchargement:
http://media-01.anti.com/tom_waits/mule_variations/Hold_On.mp3
Vidéo en ligne "Hold On" (RealAudio Player):
http://anti.com/download.php?id=140
Vidéo, téléchargement de "Hold On" :
http://media-01.anti.com/tom_waits/mule_variations/Hold_On-hi.rm

Artiste : TOM WAITS
album : Mule Variations
Titre : Alice (ballade)
Écoute en ligne:
http://anti.com/download.php?id=51
Téléchargement:
http://media-01.anti.com/tom_waits/alice/Alice.mp3

Artiste : TOM WAITS
album : Mule Variations
Titre : Another Man's Vine (ballade)
Écoute en ligne:
http://anti.com/download.php?id=52
Téléchargement:
http://media-01.anti.com/tom_waits/blood_money/Another_Mans_Vine.mp3

Artiste : TOM WAITS
Vidéo : God's Away On Business (format RealAudio)
http://media-01.anti.com/tom_waits/blood_money/Gods_Away_On_Business-hi.rm

Tom Waits Bootlegs
http://tom-waits.spb.ru/english/mp3.php3

Warsaw May 26, 2000

1. Jesus Gonna Be Here - 4216 kb
2. Jockey Full of Bourbon - 3201 kb
3. Earth Died Screaming - 4265 kb
4. Get Behind The Mule - 6828 kb
5. Strange Weather - 3962 kb
6. Hold On - 7311 kb
7. Angels In Heaven Sigh My Name - 2738 kb
8. Chocolate Jesus - 4694 kb
9. Murder in the Red Barn - 6623 kb
10. Goin Out West - 5048 kb
11. Tango 'Til They're Sore - 3512 kb
12. Warsaw at 5am - 3452 kb
13. Picture in a Frame - 3188 kb
14. Cemetery Polka - 3153 kb
15. Invitation to the Blues - 4681 kb
16. Innocent When You Dream - 6092 kb
17. 16 Shells From a Thirty-Ought-Six - 5535 kb
18. Gun Street Girl - 5926 kb
19. Who Are You (cut) - 2287 kb

Paris May 30, 2000

1. Lucky Day Overture - 2 190 kb
2. Goin Out West - 3 810 kb
3. Jesus Gonna Be Here - 4 188 kb
4. In The Colosseum - 5 317 kb
5. Strange Weather - 4 040 kb
6. Get Behind The Mule - 5 502 kb
7. Chocolate Jesus - 5 485 kb
8. Hold On - 6 986 kb
9. Down Down Down - 4 412 kb
10. Tango Till They're Sore - 4 314 kb
11. Fall Of Troy - 5 043 kb
12. Cemetery Polka - 2 988 kb
13. House Where Nobody Lives - 3 644 kb
14. Invitation To The Blues - 4 502 kb
15. Innocent When You Dream - 4 697 kb
16. 16 Shells From A 30.6 - 6 453 kb
17. Gun Street Girl - 5 011 kb
18. Cold Cold Ground - 3 537 kb
19. Rain Dogs - 3 915 kb
20. I'll Shoot The Moon - 3 870 kb
21. Eyeball Kid - 6 319 kb
22. Big In Japan - 7 577 kb
23. Pony - 4 513 kb
24. Lucky Day - 4 522 kb
25. Jockey Full Of Bourbon - 3 180 kb
26. Time - 4 199 kb

Oakland 4 february 1996

1. I Don't Wanna Grow Up - 1 003 kb
2. Black Wings - 1 512 kb
3. Goin' Out West - 1 211 kb
4. 16 Shells - 1 440 kb
5. Such A Scream - 936 kb
6. Jesus Gonna Be Here - 1 380 kb
7. Earth Died Screaming - 749 kb
8. Tango Till They're Sore - 1 826 kb
9. A Little Rain - 784 kb
10. Broken Bicycles - 894 kb
11. Back In The Good Old World - 1 731 kb
12. Invitation To The Blues - 1 135 kb
13. Johnsburg, Illinois - 1 659 kb
14. On The Nickel - 690 kb
15. Christmas Card From A Hooker - 937 kb
16. All Stripped Down - 986 kb
17. The Ocean Doesn't Want Me Today - 1 608 kb
18. In The Colosseum - 659 kb
19. Innocent When You Dream - 726 kb
20. Cemetery Polka - 328 kb
21. Falling Down - 518 kb
22. That Feel - 493 kb
23. Singapore - 860 kb
24. Heartattck & Vine - 568 kb
25. Filipino Box Spring Hog - 741 kb
26. Big Joe & Phantom 309 - 671 kb
27. Gun Street Girl - 894 kb
28. Time - 542 kb
29. Lucky Day - 643 kb
30. Walk Away - 483 kb
31. The Fall Of Troy - 418 kb
32. Tom Traubert's Blues - 815 kb

Концерт The Dead Man Walking 29 march 1998 LA

1. Walk Away - 1 177 kb
2. Gun Street Girl - 1 640 kb
3. 'Man Of The Year' - 527 kb
4. Fall Of Troy - 1 101 kb
5. A Little Rain - 927 kb
6. Goin' Out West - 1 308 kb
7. Big Black Mariah - 1 461 kb
8. Jesus Gonna Be Here - 1 198 kb
9. Yesterday Is Here - 1 194 kb
10. Innocent When You Dream - 2 071 kb

Not released studio records

1. The Piano Has Been Drinking - 1 835 kb
2. Blue Skies - 1 020 kb
3. Mr Henry - 1 047 kb
4. Walk Away - 792 kb
5. I'm Crazy About My Baby - 597 kb
6. Never Let Go Of Your Hand - 2 478 kb
7. I'm Not Your Fool Anymore - 1 495 kb
8. Little Man - 1 370 kb
9. Sea Of Love - 1 132 kb
10. Take Care Of All Of My Children - 1 492 kb
11. Heigh Ho - 1 027 kb
12. What Keeps Mankind Alive? - 640 kb

http://tom-waits.spb.ru/english/mp3.php3
Tom Waits Bootlegs

J'ai assisté au concert de Paris !

Mille mercis Carfax !!!!!!!!!!!

oui merci mille fois c'est trop beau tout ca

haha! finalement avec l'assistant de elechargement que j'ai trouvé, je peux telecharger normalement!
mon browser y arrivait pas car ma connection est saccadée.

Let The Madness Begin!

Mon navigateur est Firefox et j'utilise Flashget pour mes téléchargements car il y a des sites où le clic droit "Enregistrer sous" ne fonctionne pas... et je n'ai jamais eu de problèmes comme lorsque j'utilisais ce cauchemardesque Internet Explorer.

Bon, c'est bien gentil tout çà, mais la suite de Concord ????

Concord ?
C'est quoi ça ?

Ah mais c'est
dans un autre
post, ce truc !

Je découvre l'artiste (ne pouvant télécharger, je n'avais que le reflet de son talent à travers les remerciements de phasme et de broots), j'ai acheté aujourd'hui The heart of Chicago night (je crois que c'est le titre mais comme j'ai le flemme d'aller vérifier je peux rajouter que le dessin de la jacket est superbe), bref grosse surprise, voix superbe, envoutante, mon coup de coeur, mais sa discographie semble imposante, alors s'il ne devait y avoir qu'un ou deux Cd de lui a posséder lesquels seraient ce? En d'autre terme quels sont ses meilleurs CD ?

Tom Waits,je le trouve génial:alice,girl of new jersey,tom...
Sublime sa voix.
A coté Arno,c'est du Tom Waits belge.

jadalized a écrit:

Je découvre l'artiste (ne pouvant télécharger, je n'avais que le reflet de son talent à travers les remerciements de phasme et de broots), j'ai acheté aujourd'hui The heart of Chicago night (je crois que c'est le titre mais comme j'ai le flemme d'aller vérifier je peux rajouter que le dessin de la jacket est superbe), bref grosse surprise, voix superbe, envoutante, mon coup de coeur, mais sa discographie semble imposante, alors s'il ne devait y avoir qu'un ou deux Cd de lui a posséder lesquels seraient ce? En d'autre terme quels sont ses meilleurs CD ?

(Trois indispensables)

Le tout premier album reste le meilleur: Closing Times

okay, la jacket de rain dogs me plait bien j'opte pour celui ci quant à mon prochain achat!, merci les gens

jadalized a écrit:

okay, la jacket de rain dogs me plait bien j'opte pour celui ci quant à mon prochain achat!, merci les gens

Pour info, la pochette de 'Bone machine' est l'oeuvre de Jesse, fils de...

nan
Il faut croire que le génie est héréditaire où avoir comme père un si grand Môsieur réveille peut être la bouillonement artistique.
Mais il y a Jesse donc designer et réalisateur, samuel photographe, jakob musicien et anna (j'ai vu artiste), c'est impressionant quand même.
Mais il n'a "que" 4 enfants ?

jadalized a écrit:

nan
Il faut croire que le génie est héréditaire où avoir comme père un si grand Môsieur réveille peut être la bouillonement artistique.
Mais il y a Jesse donc designer et réalisateur, samuel photographe, jakob musicien et anna (j'ai vu artiste), c'est impressionant quand même.
Mais il n'a "que" 4 enfants ?

Une autre fille je crois, de son deuxième mariage. Mais peut-être est-ce Anna ?

jadalized a écrit:

nan
Il faut croire que le génie est héréditaire où avoir comme père un si grand Môsieur réveille peut être la bouillonement artistique.
Mais il y a Jesse donc designer et réalisateur, samuel photographe, jakob musicien et anna (j'ai vu artiste), c'est impressionant quand même.
Mais il n'a "que" 4 enfants ?

Jesse, c'est pas lui qui a réalisé un des épisodes de American Pie

dr.out a écrit:

jadalized a écrit:

nan
Il faut croire que le génie est héréditaire où avoir comme père un si grand Môsieur réveille peut être la bouillonement artistique.
Mais il y a Jesse donc designer et réalisateur, samuel photographe, jakob musicien et anna (j'ai vu artiste), c'est impressionant quand même.
Mais il n'a "que" 4 enfants ?

Jesse, c'est pas lui qui a réalisé un des épisodes de American Pie

Yes.


(Pas vu).

phasme a écrit:

dr.out a écrit:

jadalized a écrit:

nan
Il faut croire que le génie est héréditaire où avoir comme père un si grand Môsieur réveille peut être la bouillonement artistique.
Mais il y a Jesse donc designer et réalisateur, samuel photographe, jakob musicien et anna (j'ai vu artiste), c'est impressionant quand même.
Mais il n'a "que" 4 enfants ?

Jesse, c'est pas lui qui a réalisé un des épisodes de American Pie

Yes.


(Pas vu).

Moi non plus.... mais vraiment pas envie de le voir

dr.out a écrit:

phasme a écrit:

dr.out a écrit:

jadalized a écrit:

nan
Il faut croire que le génie est héréditaire où avoir comme père un si grand Môsieur réveille peut être la bouillonement artistique.
Mais il y a Jesse donc designer et réalisateur, samuel photographe, jakob musicien et anna (j'ai vu artiste), c'est impressionant quand même.
Mais il n'a "que" 4 enfants ?

Jesse, c'est pas lui qui a réalisé un des épisodes de American Pie

Yes.


(Pas vu).

Moi non plus.... mais vraiment pas envie de le voir

Moi non plus.

Remarque, c'est comme 'Masked & anonymous'.... pas envie.

Dylan et les images, çà fait 2.

dr.out a écrit:

Jesse, c'est pas lui qui a réalisé un des épisodes de American Pie

oui mais il a aussi fais How High qui est genial.

Phasme>> Masked And Anonymous est tres bien. Si tu as le courage de lire un long texte en anglais, je peux te filer une critique qui te donneras envie de voir le film.

Broots a écrit:

dr.out a écrit:

Jesse, c'est pas lui qui a réalisé un des épisodes de American Pie

oui mais il a aussi fais How High qui est genial.

Phasme>> Masked And Anonymous est tres bien. Si tu as le courage de lire un long texte en anglais, je peux te filer une critique qui te donneras envie de voir le film.

Il y a moyen de le lire sur le net ?

Jusqu'alors, je n'ai lu que de mauvaises critiques. Cà me changera.

ah bon aussi alluméque son père!!!!

ffrenz a écrit:

ah bon aussi alluméque son père!!!!

Toi, quelque chose me dit que tu aimes bien les allumés...

Besoin d'une allumette ?

Bob Dylan's Elegy for a Lost America

By DAVID VEST

Bob Dylan's new film, "Masked and Anonymous," has met with almost universal condemnation (or worse, condescension) from critics in the corporate media. According to most reviewers, in lieu of a plot the film offers "rambling incoherence" and "incomprehensible dialogue." It is "an exercise in self-indulgence." Several reviewers have actually worried in print that Dylan made the movie in order to have some kind of joke at their expense. Dylan's character, Jack Fate, has little or nothing to say, we are repeatedly told, and more or less just "sits there like a toad," in the words of Roger Ebert, who should be the last person to accuse anyone of that.

Could the movie really be this bad? It wouldn't matter if it were equal to "The Tempest" or "Julius Caesar," it has already been pronounced D.O.A.

Anytime the nation's media are this unanimous about anything, one would do well to be suspicious. After all, President Bush's decision to invade Iraq in search of "weapons of mass destruction" was met not with skepticism but with near-unanimous cheerleading and boosterizing in the corporate media.

Reviewers had already effectively killed Dylan's film by the time it arrived in Portland, Oregon for a perfunctory one-week run. Although attendance grew steadily during the week, it started sparse and grew toward respectable.

Not ten minutes after the opening credits I could see why the film had been marked for assassination by big newspaper media critics. They are the villains of the piece! "Masked and Anonymous" portrays the reporters who wrote the bad reviews as people who have to wear ankle monitors. Editors hold the keys that control them. Who owns the editors is pretty clear, too. The sight of superstar critic and Sixties specialist "Tom Friend" (Jeff Bridges) being beaten to death with Blind Lemon Jefferson's guitar must have been too much for them.

"Friend," obsessed with his own memories of the Sixties but oblivious to what is going on outside the window, never seems to notice that Fate, his quarry, answers none of his questions.

Officials of the "network" televising the "benefit" on which Fate is to appear see him as self-indulgent, too. They want him to sing "Jailhouse Rock," "Jumping Jack Flash" and "Revolution - the slow version."

He gives them "Dixie."

The infamous "rambling and incomprehensible" plot is in fact rather well-constructed and makes abundant sense. Although the project could have used some tighter editing and more attention to minor issues of continuity, anyone who couldn't follow this movie probably couldn't be trusted with a comic book. The storyline is no more "obscure" or "disjointed" than "A Hard Day's Night."

But it hits a great deal harder. When the camera pans slowly down a desolate L.A. avenue, and Dylan is heard singing "Seen the arrow on the doorpost, saying This Land is Condemned, all the way from New Orleans to Jerusalem," try to keep tears from welling. (Or sit there like a toad eating popcorn and stuff the feeling, it's your call.)

Whereas the concert finale of "A Hard Day's Night" is witnessed by screaming teenagers and an adoring TV audience, the concert performed by Fate in "Masked and Anonymous" is seen by no one except stage hands and extras because it is pre-empted by a presidential speech and interrupted by guns and bayonets.

In spite of what you may have read, the film is not "set in some imaginary third-world country at some point in the future," anymore than King Lear is about prehistoric England. Failure to recognize the true setting should immediately disqualify any reviewer. "Masked and Anonymous" is a spot-on accurate portrayal of what is going on RIGHT NOW, seen through the eyes of someone with vision and not just eyesight, someone who has looked through the eyes not only of Charley Patton and Elizabeth Cotton but also of Emmett Miller and even Daniel Decatur Emmett.

All America's chicken-hawk foreign wars have come home to roost. The horrors once visited upon El Salvador, Nicaragua, Vietnam, Somalia and Iraq are now rolling through the streets of California. All the electoral disgrace of recent campaigns has been compressed into one presidential speech. As for the major media as portrayed in this film, it is impossible not to think of Christiane Amanpour's recent admission that CNN "was intimidated" by the Bush administration and operated in a "climate of fear and self-censorship" during the invasion of Iraq.

When the new president (Mickey Roarke) concludes his "war-is-peace" oration at the end of the film with the sarcastic words "May God help you all," it is merely what anyone with a perceptive imagination can hear Bush or Cheney saying when they conclude their speeches with the formulaic "God Bless America." Certainly the administration portrayed in "Masked and Anonymous" is no more thuggish than the one currently rooting at the trough in Washington.

Or, as Uncle Sweetheart (John Goodman) puts it, "It's the dark princes, the democratic republicans, working for a barbarian who can scarcely spell his own name."

When a soldier (Giovanni Ribisi) tells Fate of fighting first with the rebels, then with the counter-insurgents, then with the Government, then with the rebels again, only to discover that some of the rebels are in fact funded by the very Government they're supposed to be opposing, how strange does that seem to anyone familiar with the betrayals and capitulations of contemporary politics, especially movement politics? It's like finding out who sponsors "Earth Day."

My favorite exchange: "I'm trying to be on your side, Jack," says Uncle Sweetheart, the promoter who is, naturally, "only trying to help."

"You have to be born on my side, Sweetheart," says Fate.

To be on the side of workers, of animals, of oppressed people, of love, of the truth is to court destruction. Before singing his final song and meeting his own fate, Jack Fate experiences a visitation by his ghostly forerunner, Oscar Vogel (Ed Harris), a banjo-playing entertainer who worked in blackface and who disappeared after raising his voice against the times. When Fate looks back to catch a last glimpse of Vogel, the vaudevillian has been replaced by a young Black man who could be a janitor, a Reggae artist or a rising Hip-Hop truth teller, next in the line of destiny, or line of fire.

This film isn't perfect. I have read the original screenplay and far too much has been cut out of it to try to make it acceptable to people who would have had none of it under any circumstances. But it is the only motion picture I have seen so far in this millennium that seems to have a clue about what is going on in America. Moviegoers will get it or they won't. Great pains have been taken to ensure that they won't even see it.

It is a tale of almost unbearable sadness and loss. When Dylan sings "I'll Remember You," as electrifying a performance as has ever been caught on camera (all the songs are performed live, there's no lip-synching in this movie) you feel that he may well be singing not merely about a person but also about that "lost America of love" that Ginsberg mourned in "A Supermarket in California," a work that in its visionary aspect and intensity "Masked and Anonymous" resembles. (Its ultimate antecedents are of course Shakespeare's history plays.)

When Dylan's character, Fate, is reunited with his lost/doomed love (Angela Bassett, magnificent in the role), she endeavors with great tenderness to console him for his losses, and without a word Dylan manages to convey that Fate's grief is inconsolable. It is a scene of considerable beauty and delicacy.

Dylan's performance has been called "inscrutable." But who else could have played this role? There are people who find his songs inscrutable as well, and I suppose arguing with them would be as pointless as trying to answer "Tom Friend's" interview questions. (These days, anything an idiot can't or won't bother to understand is "incomprehensible" and "inscrutable.")

The most daring (and intriguing) line in the film slips by almost unnoticed: moments after Jack Fate is arrested for a sudden act of violence committed by his sidekick Bobby Cupid (Luke Wilson), he thinks to himself, "Sometimes it's not enough to know the meaning of things. Sometimes we have to know what things don't mean as well. Like, what does it mean to not know what the person you love is capable of?"

Unlike D. A. Pennebaker's "Don't Look Back," which showed a young Dylan eating dumb but presumptuous critics alive, "Masked and Anonymous" depicts an aging Jack Fate with nothing whatever to say to them. "I was always a singer and maybe no more than that," he says.

pouah trop la flemme de lire tout ça, mais un jour je le ferai, peut être me faut il qq accroches.
Genre, escusez mon ignorance, mais Dylan est réalisateur maintenant????
(c'est quoi ce film, oui je sais je n'ai qu'à lire mais )....

je parle pas anglais....

dr.out a écrit:

je parle pas anglais....

il n'y a pas a avoir onte, je vis dans un pays anglophone et donc parles anglais courrament