albums et bootlegs

odradek · This Land Is Your Land Nombre de messages: 6100 Date d'inscription: 16/04/2005

jude a écrit:

J'ai lu quelque part le témoignage d'un vigile à l'époque qui l'a surpris dans sa loge en train de sniffer, je cite, 'une montagne de cocaïne' qui aurait suffit à faire planer l'intégralité d'un groupe de hard metal pendant un bon mois... Charmant, que l'anecdote soit avérée ou non.

En même temps, difficile d'y croire : si c'était le cas, le zim serait au ciel à l'heure qu'il est, à compter les stratus - alors qu'il gambade toujours de ville en ville comme un jeune chevreuil, sans perte de mémoire, sans le délabrement auquel on pourrait s'attendre.

odradek · This Land Is Your Land Nombre de messages: 6100 Date d'inscription: 16/04/2005

Junior a écrit:

5 heures pour le trouver Shocked

Heureusement que c'était urgent Shocked

C'est 10€ l'heure - je t'exonère des charges sociales... What a Face

Michel

odradek a écrit:

jude a écrit:

J'ai lu quelque part le témoignage d'un vigile à l'époque qui l'a surpris dans sa loge en train de sniffer, je cite, 'une montagne de cocaïne' qui aurait suffit à faire planer l'intégralité d'un groupe de hard metal pendant un bon mois... Charmant, que l'anecdote soit avérée ou non.

En même temps, difficile d'y croire : si c'était le cas, le zim serait au ciel à l'heure qu'il est, à compter les stratus - alors qu'il gambade toujours de ville en ville comme un jeune chevreuil, sans perte de mémoire, sans le délabrement auquel on pourrait s'attendre.

Oui enfin il fait plus vieux bouc que chevreui §l

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Titam · This Land Is Your Land Nombre de messages: 780 Date d'inscription: 04/11/2007

Bon, je pense que vous connaissez, ou que ca a déjà été posté, mais on ne sait jamais:

Citation:

In the early morning hours of January 26, 1966, Bob Dylan (accompanied by unnamed members of The Hawks) lurched into the studios of New York's listener-supported radio shrine WBAI-FM for an unscheduled appearance on Radio Unnameable, the weekly cavalcade of music and merriment hosted (then and now) by one of the great men of our time, Bob Fass.

It was an interesting period for this troubador; having spent the preceding six months letting it be known far and wide that he wasn't returning to the Protest song racket, no matter how forcefully the middle class white folks (who just adored songs about underclass misery) screamed their heads off or held their breath. By January, Dylan had at least managed to convince everyone that he wasn't kidding, and the volume of catcalls and boos appeared to be growing more faint by the hour (this would soon change later in the year as he faced one exceedingly ugly UK crowd after another during the course of his 1966 world tour). He could afford to take a momentary breather.

In a sense, this recording documents that brief moment of repose.

There's no music in these 93 minutes (save for a few notes from a Lightnin' Hopkins record) . . . there isn't even an interview in the conventional sense. Some back-and-forth between the host and his mystery guest (who seems to be under the influence of . . . something), a good deal of moving about (anyone who's worked in listener-supported radio knows how cramped a studio can get when more than two souls occupy it), and then Bob Fass opens up the phone lines.

The less said about what ensues . . .

Suffice it to say, all Talk Radio should sound like this.

Act One (49min.): http://tasutpen.net/dylan0166/dylan0166one.mp3

Act Two (44min.) http://tasutpen.net/dylan0166/dylan0166two.mp3

Via http://tsutpen.blogspot.com/2006/12/orpheus-on-air-2christmas-week-edition_26.html

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Titam · This Land Is Your Land Nombre de messages: 780 Date d'inscription: 04/11/2007

Et j'enchaine avec ceci:

Citation:

Folksinger's Choice was the name of a series broadcast on New York's venerable Pacifica Radio affiliate WBAI-FM during the heady and lawless days of what came to be known as the Folk Revival. It was hosted by Cynthia Gooding, herself a Folk singer of some note at the time, and gave its listeners an up-close and personal glimpse of their favorite Folk personalities (assuming that term is at all operative in this context) as they reconnected en masse with the lost vernacular of American culture. This was serious radio, children; no Murray the K or WMCA Good Guys here; no remotes from Jones Beach or Roosevelt Field, no payola lest it be in the coin of a marketable integrity.

The featured guest for this edition of Folksinger's Choice . . . recorded on March 11, 1962 (there is some dispute, however, as to whether it actually aired) . . . was a raw youth of some 20 summers named Bob Dylan. In the course of its 58 minutes, he sang 11 songs, opening with Hank Williams' Lonesome Whistle Blues and closing with Hard Times in New York Town, his own rather charming theft of The Bentley Boys' 1929 Columbia recording, Down on Penny's Farm (no doubt cadged from the grooves of Harry Smith's landmark Anthology of American Folk Music). In between numbers, Dylan speaks with characteristic frankness about his life up to that point: his boyhood journeys across the fruited plains or pastures of plenty or wherever, his years working carnivals (Woody Guthrie by way of Stanton Carlisle), and on and on. In other words, the latter day Okie routine he was selling the minute his feet hit the Manhattan pavement.

But soft . . . let us not dally in introduction any longer. As this recording attests, Bob Dylan at 20 was as consummate a performer as he was a fabulist (even when working the Folk music racket). I'm sure you'll all agree that hard-scrabble showmanship has rarely been given such graceful expression. http://tasutpen.net/folksingerschoice.mp3

Via: http://tsutpen.blogspot.com/2006/03/orpheus-on-air-1.html

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